A Too-Perfect Picture and Appropriation

A fantasy withers in the sunlight of realism. But as long as realism is held at bay, the fantasy can remain satisfying to an enormous audience. More than a hundred million people have watched the Coldplay video since it was posted at the end of January.

Are we then to cry “appropriation” whenever a Westerner approaches a non-Western subject? Quite the contrary: Some of the most insightful stories about any place can be told by outsiders. I have, for instance, seen few documentary series as moving and humane as “Phantom India,” released in 1969 by the French auteur Louis Malle. Mary Ellen Mark, not Indian herself, did extraordinary work photographing prostitutes in Mumbai. Non-Indians have made images that capture aspects of the endlessly complicated Indian experience, just as have Indian photographers like Ketaki Sheth, Sooni Taraporevala, Raghu Rai and Richard Bartholomew.

Art is always difficult, but it is especially difficult when it comes to telling other people’s stories.


via A Too-Perfect Picture | The New York Times


 

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