How Artists Contributed to the Black Power Movement


Roy DeCarava. “Couple Walking,” 1979. © Courtesy Sherry DeCarava and the DeCarava Archives.

Curators Zoe Whitely and Mark Godfrey subdivided a mass of 150 works from as many as 60 to occupy 12 rooms at the gallery. They also set an austere tone for the exhibition, as if to prepare the visitor’s mind, placing five screens at the entrance with each one playing, on a loop, speeches any luminaries including King, Malcolm X and James Baldwin.

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[GOSPEL] San Fran-disco: How Patrick Cowley and Sylvester changed dance music forever


Sylvester was San Francisco’s biggest star and Cowley’s muse – a larger-than-life presence around town, dressed to the nines and often carrying multiple shopping bags as he walked down Castro Street. Cowley most famously worked with Sylvester on the ecstatic mega-hit You Make Me Feel (Mighty Real) and was a pioneer of the genre known as hi-NRG, a relentlessly uptempo variant of disco that gained serious traction, especially in the UK and Europe.

Mighty real: Sylvester, right, and Patrick Cowley pose for a portrait at the mixing board in a recording studio in circa 1980. (Photo by Michael Ochs Archives)

Sylvester, and Patrick Cowley (left) pose for a portrait at the mixing board in a recording studio in circa 1980. (Photo by Michael Ochs Archives)

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Dance Culture=Social Progress


David Mancuso: DJ and dance culture pioneer, dies aged 72

‘The core idea behind The Loft is social progress’ … David Mancuso. Photograph: Allan Tannenbaum/Getty Images

Unlike the commercial clubs that existed to make a profit, Mancuso and particularly his event Love Saves the Day, offered a space for its members, often an LGBTQ audience, to celebrate nightlife without police interference.

“For me, the core [idea behind The Loft] is social progress,” he said in 2013. “How much social progress can there be when you’re in a situation that is repressive? You won’t get much social progress in a nightclub.


via David Mancuso, DJ and dance culture pioneer, dies aged 72 | The Guardian