Butoh emerged in 1959 in Japan, instigated by Tatsumi Hijikata, whose work was a provocation to modernity in general and specifically to the Western-lead reconstruction of Japan following World War II. In his 1960 essay “Inner/Outer Material,” Hijikata describes his performances as “bodies that have maintained the crisis of primal experience.” His work was grotesque, erotic, inflammatory, and rebellious. Sometimes dancers would flail wildly. Other times, they would stand completely still—though not serenely—held in place like an insect in amber, crushed by images, sensation, and histories. Rather than a specific dance grammar, butoh utilizes images to initiate movement. The dancers transform their sense of time, space, shape, and relationship based on a string of image poetry that propels them to move.
Read the whole thing at their blog via the link below. Leave any comments about this amazing art form below.
via Sankai Juku—Cosmic Dance | BAM blog
You must be logged in to post a comment.